Who'd have thought that the most labour intensive part of the painting would be breeze block walls? So simple in theory, but not so in practice - so many subtle pinholes and shading variances in the mortar will make this a long haul. I have found in the past that this monotony can translate into a magical backdrop, on which the real subject is displayed - that's why I figured I'd get it finished before completing any more of the painting...........I just need to remain sane.
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